I know I'm posting alot, really, but I'm bored, and horny, mostly bored though, no wait, mostly horny, BUT THE POINT IS, I have nothing to do. So I'm posting. Again.
I find myself back at square one again, without really being at square one, this is very interesting, do I make a tape, and send it in, KNOWING I won't get in, or do I take the chance, and face the imminent rejection? There are entire voice courses and classes and seminars on dealing with rejection, and even as fabulous as I think I am, I am very easily discouraged, I cry alot when I get rejected, especially if it's something that I really really want. What if they write me a letter asking me what died in my throat? Telling me to give up the dream and become, gasp, a secretary! The thought mortifies me. Truely and utterly moritifies me. Those people are the gods, and while, no, I'm not trying out for the Metropolitan Opera House (yet), this is my dream school. The performance oppertunities are amazing, the chance to sing with an actual orchestra, and other people who share my passion for Mozart and Puccini and Verdi, what an amazing thought, and I feel locked away from my dream. You don't need a degree to get to the Met, but it certainly helps a great deal. But my theory sucks, and my GPA is even worse. I don't think people really understand when I tell them that my music is my life, I don't want to sing small roles and penny solos for the rest of my life, I want to plunk the wig on my head and don rings with gems the size of quails eggs on my fingers, I want to wear ancient gowns and sing 'Sono Andati', I want to fall in love with the Prince of Egypt as Aida, I want to die on stage in La Traviata.
What happened? When did I get away from all this? So do I bite the bullet, and send in the tape, knowing I won't get in, no matter how much I want this, or do I just start going to auditions and try to make my own way, studying theory from books and warming up on the subway? Perhaps I'll do that, and in time, make that tape, and send it to them, knowing that I won't get in, but knowing that at least I tried. Perhaps by then I'll have the confidence, but a singers belief in her voice is a fragile thing, so immensely fragile, and it hurts, it physically hurts to be told over and over again that no ones interested. I know I have a nice safety net in my studio and my community, but there are thousands of lyric sopranos out there in the world trying to make their own way, and that when I go to those auditions, I won't be protected or supported by anyone except myself and my voice.
I keep digressing.
I intend to go to school at the end of the year, and get the training I need, and then a steady job, working in a small theatre or at a department store or something, and then just go to auditions, do what I love without the pressure of depending on it for my income, after all, a girls gotta eat, needs a place to sleep, clothes to wear and shoes to walk in. My desperate drive to perform has never left me, it's always been there, always will be there, so I will slog to auditions and try to find a place to sing, make a few bucks, have some fun, maybe play against charactor a little bit, get some laughs, and make my living elsewhere. I certainly have the talent to go to auditions, and maybe even sing a set, I have the strength and am physically capable of doing it, but so are thousands of other lyric sopranos the world over.
But the question remains: Do I make up and a tape, and send it to Mannes, knowing I won't get in, or do I send the tape, get the rejection letter (with them naturally asking what died in my throat, and that they will gladly refund my registration fee if I never send something to them again), and know that at least I tried, and never sing again and die alone and naked in my bed making love to a bottle of gin? I dunno.
Someone else can decide! I'm leaving this up to the what, two, three people that read this journal, and anyone else out there who reads this thing that I don't know about: Is it to Conservatory or bust? You decide!
Current Mood: 
quand je vous aimerei
Current Music: Mozart - The Marriage of Figaro (introduction)